Description
Transcription of uptempo solo from Soojin Suh. This solo has a lot of great takeaways: 1. Continuous, effortless flowing movement around the entire kit with intuitive sticking choices 2. The hi hat foot (both splash and chick) is treated as another voice, not just used to keep time 3. Clear Philly Joe Jones influence, particularly in the sleek application of rudiments, and snare-focused phrasing. It definitely has a more modern feel though. I've notated all of the non-obvious sticking. Where sticking isn't notated, it's either obvious, or singles.
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Transcription
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